"The Domestic Sublime: V. Garlic" by Katy Abbott, Greta Bradman, Leigh Harrold was released on March 3, 2014. The duration of The Domestic Sublime: V. Garlic is about 3 minutes long, at 3:20. Based on our data, "The Domestic Sublime: V. Garlic" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "The Domestic Sublime: The Vocal Music of Katy Abbott". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Australia. Based on our statistics, The Domestic Sublime: V. Garlic's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Domestic Sublime: V. Garlic by Katy Abbott, Greta Bradman, Leigh Harrold having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
タンゴの歴史 ボーデル1900 | Nobuya Sugawa | G Major | 3 | 9B | 88 BPM | ||
Après un rêve Op. 7, No. 2 | Gabriel Fauré, José Manuel Vázquez, Yuko Mizutani | F Minor | 0 | 4A | 112 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso III | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
Sonata Op. 120 No. 2 in E-flat Major for Clarinet and Piano: II. Allegro appassionato | Johannes Brahms, Jasmine Choi | B♭ Minor | 0 | 3A | 137 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: II. Allemande - Arr. for Marimba | Johann Sebastian Bach, Kuniko | B Minor | 3 | 10A | 116 BPM | ||
Wind Quintet in A-Flat, Op. 14: II. Adagio | Gustav Holst, Elysian Wind Quintet | G Minor | 2 | 6A | 126 BPM | ||
Timbres oubliés (Arr. for Clarinet and Harp by Graeme Steele Johnson and Bridget Kibbey) | Charles Martin Loeffler, Graeme Steele Johnson, Bridget Kibbey | D♭ Major | 0 | 3B | 68 BPM | ||
Quintet, KV. 407 (Arr. for Horn Trio by Ernst Naumann): II. Andante | Wolfgang Amadeus Mozart, Martin Owen, Francesca Dego, Alessandro Taverna | A Major | 4 | 11B | 119 BPM | ||
Lo, The Full Final Sacrifice, Op. 26: Amen (Arr. for Saxophone & Piano) | Gerald Finzi, Naomi Sullivan, Robin Bigwood | F Minor | 0 | 4A | 68 BPM | ||
A Sentimental Mood | Carrie Baynes | F Major | 1 | 7B | 120 BPM |
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