"Blue, Act II Scene 1: In My Hour of Need I Seek No Salvation from You" by Jeanine Tesori, Kenneth Kellogg, Roderick Cox, Washington National Opera Orchestra was released on March 25, 2022. The duration of Blue, Act II Scene 1: In My Hour of Need I Seek No Salvation from You is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Blue, Act II Scene 1: In My Hour of Need I Seek No Salvation from You's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jeanine Tesori, Washington National Opera Orchestra, Roderick Cox, Kenneth Kellogg, Briana Hunter, Aaron Crouch, Gordon Hawkins's "Jeanine Tesori: Blue" album is number 10 out of 72. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Blue, Act II Scene 1: In My Hour of Need I Seek No Salvation from You is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blue, Act II Scene 1: In My Hour of Need I Seek No Salvation from You by Jeanine Tesori, Kenneth Kellogg, Roderick Cox, Washington National Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
As We Stumble Along | Beth Leavel, 'The Drowsy Chaperone' Original Broadway Cast | B♭ Major | 3 | 6B | 118 BPM | ||
My Friend, the Dictionary | 25th Annual Putnam County Spelling Bee Original Cast | F Major | 2 | 7B | 87 BPM | ||
Forever Yours | Hailey Kilgore, Isaac Powell, Merle Dandridge, Once On This Island Storytellers | D Minor | 2 | 7A | 92 BPM | ||
Marry Me a Little | Rosalie Craig | D Major | 1 | 10B | 142 BPM | ||
Blue, Act II Scene 2: She Was Lying in Her Bed. In Her Own Home. In Her Bed | Jeanine Tesori, Rehanna Thelwell, Katerina Burton, Ariana Wehr, Roderick Cox, Washington National Opera Orchestra | B Major | 3 | 1B | 87 BPM | ||
Saturday at the Met | Kate Wetherhead, Jared Gertner, Lisa Brescia, Hunter Foster | D♭ Major | 2 | 3B | 181 BPM | ||
Please, Don't Take Him | Michael Mulheren, Carmen Cusack, Stephen Lee Anderson, Dee Hoty, William Youmans, Bright Star Original Broadway Ensemble | E Minor | 5 | 9A | 132 BPM | ||
Pierre & Natasha | Josh Groban, Denée Benton | D Major | 2 | 10B | 78 BPM | ||
Flying Away (Finale) | Beth Malone, Emily Skeggs, Sydney Lucas | A Major | 2 | 11B | 141 BPM | ||
Cute Boys with Short Haircuts | Anneliese Van Der Pol | E Major | 2 | 12B | 128 BPM |
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