Giovanni Battista Bassani, Alessandro Carmignani, Andrea Arrivabene, Nova Ars Cantandi, Giovanni Acciai's 'Armonici entusiasmi di Davide, Op. 9, Psalm 69 "Domine, ad adjuvandum me festina": Psalm 69, "Domine, ad adjuvandum me festina": Alleluja' came out on May 5, 2015. With Armonici entusiasmi di Davide, Op. 9, Psalm 69 "Domine, ad adjuvandum me festina": Psalm 69, "Domine, ad adjuvandum me festina": Alleluja being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 67 in Bassani: Armonici entusiasmi di Davide, Op. 9 by Giovanni Battista Bassani, Nova Ars Cantandi, Giovanni Acciai. The popularity of Armonici entusiasmi di Davide, Op. 9, Psalm 69 "Domine, ad adjuvandum me festina": Psalm 69, "Domine, ad adjuvandum me festina": Alleluja is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Armonici entusiasmi di Davide, Op. 9, Psalm 69 "Domine, ad adjuvandum me festina": Psalm 69, "Domine, ad adjuvandum me festina": Alleluja by Giovanni Battista Bassani, Alessandro Carmignani, Andrea Arrivabene, Nova Ars Cantandi, Giovanni Acciai is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 0 | 12B | 84 BPM | ||
Trio Sonata in A Minor, HasB 5/1: III. Allegro | Giovanni Battista Bassani, Veronika Skuplik, Catherine Aglibut, Mieneke van der Velden, Kris Verhelst | A Minor | 1 | 8A | 94 BPM | ||
Symphony in F Major: II. Andante - III. Presto | Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700 | E Major | 1 | 12B | 182 BPM | ||
Organ Voluntary in C Major, Op. 5 No. 1: I. Adagio | John Stanley, Richard Marlow | C Major | 0 | 8B | 68 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
Serse, HWV 40, Act I Scene 2: Recitativo. Siam giunti (Arsamene, Elviro) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | E Minor | 2 | 9A | 147 BPM | ||
Te deum, LWV 55: VII. Tu ad dexteram Dei sedes | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Airs for the Seasons, Summer (Excerpts): Pink: III. Temo di Minuetto | James Oswald, Rezonance Baroque Ensemble | F♯ Major | 2 | 2B | 82 BPM | ||
Messa Della Domenica: Recercar dopo il Credo | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Missa Sancti Spiritus, ZWV 4: Et unam Sanctam | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM |
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