Ralph Benatzky, Heinz Erhardt, Ruth Zillger, Gretl Schörg made "Meine Schwester und ich: Dialog 6 (Filosel, Irma, Dolly)" available on September 29, 2014. Since Meine Schwester und ich: Dialog 6 (Filosel, Irma, Dolly) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 26 in Benatzky: Meine Schwester und ich by Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Gretl Schörg, Peter René Körner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Meine Schwester und ich: Dialog 6 (Filosel, Irma, Dolly) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Meine Schwester und ich: Dialog 6 (Filosel, Irma, Dolly) by Ralph Benatzky, Heinz Erhardt, Ruth Zillger, Gretl Schörg is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Dreigroschenoper: Akt III, Die Schluss-Strophen der Moritat ("Und so kommt zum guten Ende") | Kurt Weill, Wilhelm Brückner-Rüggeberg, Sender Freies Berlin Orchestra | G Major | 0 | 9B | 74 BPM | ||
Heut' ist der schönste Tag in meinem Leben | Joseph Schmidt | B♭ Major | 4 | 6B | 96 BPM | ||
Marsch des York'schen Corps | Zentrales Orchester des MDI | E♭ Major | 6 | 5B | 116 BPM | ||
Wer Wird Denn Weinen, Wenn Man Auseinander Geht | Marlene Dietrich | G Major | 5 | 9B | 114 BPM | ||
Yes!, Act I: Ouverture | Maurice Yvain, Les Frivolités Parisiennes | F Major | 1 | 7B | 83 BPM | ||
Sonata No. 7 in F Major: II. Grave | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | G Major | 4 | 9B | 82 BPM | ||
Champagner Galopp | Hans Christian Lumbye, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM | ||
In Munchen steht ein Hofbrauhaus | Will Glahé | F Major | 5 | 7B | 95 BPM | ||
Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Alle sind wir Sünder (Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | F Major | 4 | 7B | 78 BPM | ||
L'Auberge du Cheval Blanc: Duo sylvabelle flores mon chant d'amour est une valse | Ralph Benatzky, Marina Hottine, Lucien Huberty, Orchestre Rene Saint Paul, Jésus Etcheverry | G Major | 2 | 9B | 70 BPM |
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