Don Black, Mark London, Richard Balcombe, Abbie Osmon, Royal Philharmonic Orchestra's 'To Sir, With Love (arr. R. Balcombe for vocals and orchestra)' came out on February 3, 2017. The duration of To Sir, With Love (arr. R. Balcombe for vocals and orchestra) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. To Sir, With Love (arr. R. Balcombe for vocals and orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Sound of the 60s". In this album, this song's track order is #4. In terms of popularity, To Sir, With Love (arr. R. Balcombe for vocals and orchestra) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With To Sir, With Love (arr. R. Balcombe for vocals and orchestra) by Don Black, Mark London, Richard Balcombe, Abbie Osmon, Royal Philharmonic Orchestra having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
True Love | Bing Crosby | E♭ Major | 1 | 5B | 70 BPM | ||
Waltz for Eva and Che | Antonio Banderas, Madonna | A Major | 4 | 11B | 64 BPM | ||
John Nineteen: Forty-One - Original Broadway Cast: 1971 | Andrew Lloyd Webber, Marc Pressel | D Minor | 1 | 7A | 88 BPM | ||
When I Marry Mr. Snow | Barbara Ruick | E♭ Major | 2 | 5B | 137 BPM | ||
Wouldn't It Be Loverly - Voice | Marni Nixon | F Major | 1 | 7B | 118 BPM | ||
I Talk To The Trees | Clint Eastwood | D Major | 2 | 10B | 108 BPM | ||
You Were Meant for Me | Adam Cooper | E♭ Major | 2 | 5B | 140 BPM | ||
We Live On Borrowed Time | Norm Lewis | G Major | 4 | 9B | 68 BPM | ||
MY Side | Grand Daddy I.U., Hollowz, Don Black | D♭ Major | 7 | 3B | 85 BPM | ||
I Don't Know How To Love Him - From "Jesus Christ Superstar" Soundtrack | Yvonne Elliman | D Major | 1 | 10B | 144 BPM |
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