Joseph-Nicolas, Joseph-Nicolas-Pancrace Royer, Iakovos Pappas made "Suite No.1: No. 4, Le tambourin" available on January 1, 1992. With Suite No.1: No. 4, Le tambourin being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Royer: Pièces de Clavecin". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Italy. Based on our statistics, Suite No.1: No. 4, Le tambourin's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Suite No.1: No. 4, Le tambourin by Joseph-Nicolas, Joseph-Nicolas-Pancrace Royer, Iakovos Pappas having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor, RV 565: I. Allegro | Antonio Vivaldi, Manuel Tomadin, Gioele Gusberti, Paolo Monetti, Manuel Staropoli, Pietro Prosser | D♭ Minor | 2 | 12A | 113 BPM | ||
Greensleeves | The City Waites | D♭ Minor | 2 | 12A | 65 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM | ||
Les Pièces de clavecin, Premier livre, Suite No. 3 en la mineur: I. Prélude | Élisabeth Jacquet de La Guerre, Geneviève Soly | A♭ Major | 1 | 4B | 123 BPM | ||
Piece in F for Keyboard , K.33B | Wolfgang Amadeus Mozart, Ton Koopman | C Major | 0 | 8B | 136 BPM | ||
Aria and 6 Variations in G Minor, P.196: VII. Variatio 6 | Johann Pachelbel, Simone Stella | G Major | 2 | 9B | 197 BPM | ||
Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
Polonez Jana Pawla | Jerzy Rogiewicz | D Major | 1 | 10B | 112 BPM | ||
6 Concerti grossi, Op. 3, No. 3 in E Minor, H. 75: III. Adagio | Francesco Geminiani, Concerto Italiano, Rinaldo Alessandrini | A♭ Minor | 1 | 1A | 60 BPM | ||
Premier livre: Rondeau en ré mineur | Jacques Duphly, Christophe Rousset | D♭ Minor | 4 | 12A | 90 BPM |
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