Saint Petersburg Orchestra Of The State Hermitage Museum Camerata, Pavel Bubelnikov's 'A Midsummer Night's Dream, Op. 61: No. 1 Scherzo' came out on October 14, 2022. Since A Midsummer Night's Dream, Op. 61: No. 1 Scherzo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 40 in Classical Choice: Music For Your Baby by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, A Midsummer Night's Dream, Op. 61: No. 1 Scherzo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Midsummer Night's Dream, Op. 61: No. 1 Scherzo by Saint Petersburg Orchestra Of The State Hermitage Museum Camerata, Pavel Bubelnikov is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act II: Prelude | Richard Wagner, Maria Müller, Camilla Kallab, Max Lorenz, Jaro Prohaska, Josef Greindl, Benno Arnold, Helmut Fehn, Eugen Fuchs, Fritz Krenn, Gerhard Witting, Karl Krollmann, Herbert Gosebruch, Gustav Rödin, Franz Sauer, Alfred Dome, Erich Zimmermann, Erich Pina, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wilhelm Furtwängler | E Major | 2 | 12B | 85 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Galop (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 4 | 11B | 162 BPM | ||
Spanish Dances, Op. 22: Danza espanola No. 4: Jota navarra, Op. 22, No. 2 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | G Major | 1 | 9B | 99 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
Four Greek Songs: II. Vivo | Charles Camilleri, David Campbell, Zoë Martlew, Julian Jacobson | G Minor | 2 | 6A | 123 BPM | ||
Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | Ludwig van Beethoven, André Cluytens, Gabriel Tacchino, Berliner Philharmoniker | C Major | 1 | 8B | 81 BPM | ||
Etudes: V. Port de bras et pas de badin | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Minor | 3 | 8A | 100 BPM | ||
Der Fischer und das Milchmädchen: Overture | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Alegrando | Lowie Wolf Hoeyberghs | B Minor | 3 | 10A | 137 BPM |
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