Wiener Philharmoniker, Patrizia Pace, Riccardo Muti, Ann Murray's 'Le Nozze di Figaro, Act 3: Andiam, andiam, bel paggio' came out on August 2, 2013. With Le Nozze di Figaro, Act 3: Andiam, andiam, bel paggio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 21 out of 214. In terms of popularity, Le Nozze di Figaro, Act 3: Andiam, andiam, bel paggio is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le Nozze di Figaro, Act 3: Andiam, andiam, bel paggio by Wiener Philharmoniker, Patrizia Pace, Riccardo Muti, Ann Murray to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
The music key of this track is C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: II. Variation I. | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Serenade No. 12 in C Minor, K. 388: II. Andante | Wolfgang Amadeus Mozart, Oslo Philharmonic Wind Soloists | E♭ Major | 0 | 5B | 77 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | D Minor | 3 | 7A | 179 BPM | ||
Mozart: Concerto for 2 Pianos No. 10 in E-Flat Major, K. 365: II. Andante | Wolfgang Amadeus Mozart, Martha Argerich, Alexandre Rabinovitch, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | G Major | 1 | 9B | 83 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM |
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