Nicol Matt, Nordic Chamber Choir, Soloist Of The Freiburger Barockorchester, Ute Petersilge, Jörg Halobek, Robert Sagasser, Martina Rotbauer, Heike Hümmer, Jens Wollenschläger, Johann Sebastian Bach's 'Puer Natus In Bethlehem, Cantate Bwv 65' came out on March 28, 2007. With Puer Natus In Bethlehem, Cantate Bwv 65 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 23 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Puer Natus In Bethlehem, Cantate Bwv 65 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Puer Natus In Bethlehem, Cantate Bwv 65 by Nicol Matt, Nordic Chamber Choir, Soloist Of The Freiburger Barockorchester, Ute Petersilge, Jörg Halobek, Robert Sagasser, Martina Rotbauer, Heike Hümmer, Jens Wollenschläger, Johann Sebastian Bach is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wachet Auf, Ruft Uns Die Stimme, Cantate Bwv 140 | Nicol Matt, Nordic Chamber Choir, Soloist Of The Freiburger Barockorchester, Ute Petersilge, Johann Sebastian Bach, Jens Wollenschläger, Jörg Halobek, Robert Sagasser, Heike Hümmer, Martina Rotbauer | F♯ Minor | 1 | 11A | 73 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 2, Chor "Mich vom Stricke meiner Sünden" (Chor gläubiger Seelen) | Georg Philipp Telemann, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | E Minor | 3 | 9A | 139 BPM | ||
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye Norman | G Major | 0 | 9B | 84 BPM | ||
Wär' Gott nicht mit uns diese Zeit, BWV 14: No. 1, Wär' Gott nicht mit uns diese Zeit | Johann Sebastian Bach, Chamber Choir Of Europe, Nicol Matt | A♭ Minor | 2 | 1A | 83 BPM | ||
Er heißet Wunderbar, Rat, Kraft, Held, FR 408/1: I. Dictum (Tutti) | Johann Friedrich Fasch, Benjamin Schmolck, Berit Norbakken Solset, Marianne Beate Kielland, Anders J. Dahlin, Halvor Festervoll Melien, Alfredo Bernardini, Barokkanerne | F♯ Minor | 1 | 11A | 126 BPM | ||
Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM | ||
Galliard | The Royal Wind Music | F♯ Major | 2 | 2B | 139 BPM | ||
4. Aria: Du Held | Georg Anton Kreusser, Christoph Prégardien, Karsten Storck, Mainzer Domorchester | F Minor | 2 | 4A | 168 BPM | ||
Herz und Mund und Tat und Leben (Chorus) | Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | B Major | 3 | 1B | 97 BPM | ||
Mass No.2 in G, D.167: 1. Kyrie | Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Wiener Symphoniker, Uwe Christian Harrer | B♭ Major | 2 | 6B | 88 BPM |
Section: 0.5795402526855469
End: 0.5830399990081787