"Shenandoah (or, Across The Wide Missouri)" by Traditional, Mormon Tabernacle Choir, Richard P. Condie, Philadelphia Orchestra was released on 1963. With this song being about 5 minutes long, at 5:13, "Shenandoah (or, Across The Wide Missouri)" by Traditional, Mormon Tabernacle Choir, Richard P. Condie, Philadelphia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Tabernacle Choir at Temple Square's "God Bless America" album is number 8 out of 23. Shenandoah (or, Across The Wide Missouri) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Shenandoah (or, Across The Wide Missouri) by Traditional, Mormon Tabernacle Choir, Richard P. Condie, Philadelphia Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
On Flute I Play my Sad Verses | St. Petersburg Optina Pustyn Male Choir | B♭ Major | 2 | 6B | 89 BPM | ||
Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
Kontakion of the Mother of God (Mode Plagal IV) | Medieval Byzantine Chant, Cappella Romana | F Major | 2 | 7B | 70 BPM | ||
Bogorodice, Devo, Radujsa | St. Peter St. Paul Cathedral Choir of Minsk | F Major | 1 | 7B | 124 BPM | ||
Stella Splendens In Monte | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Exultate Justi in Domino | The New York Madrigal Singers, Erik-Peter Mortensen & David Schofield | F♯ Major | 1 | 2B | 78 BPM | ||
The English Dance Master, Part II: Newcastle | John Playford, Baltimore Consort | G Major | 2 | 9B | 108 BPM | ||
Ave Maria, CG 89a (Arr. for Cello, Organ & Harp) | Steven Houser, Stephen Hartman, Stefan Engels | F Major | 1 | 7B | 119 BPM |
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