Traditional, Olle Persson, Blåsarensemble, Egon Kjerrman made "Regementets snapsvisa (Södermanlands regemente)" available on 1995. With Regementets snapsvisa (Södermanlands regemente) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 70 in the song's album "Sång och spel från mäss och hed". In this album, this song's track order is #37. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Regementets snapsvisa (Södermanlands regemente)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Regementets snapsvisa (Södermanlands regemente) by Traditional, Olle Persson, Blåsarensemble, Egon Kjerrman having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fervent Supplication | The Russian State Symphony Cappella | C Major | 2 | 8B | 134 BPM | ||
Bogorodice, Devo, Radujsa | St. Peter St. Paul Cathedral Choir of Minsk | F Major | 1 | 7B | 124 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: II. Glory Be to the Father | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | A♭ Major | 2 | 4B | 119 BPM | ||
How Glorious Is Our Lord In Zion | "The Orthodox Singers" Male Choir, Georgiy Smirnov | F Major | 3 | 7B | 128 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Burial Sentences: I. I Am The Resurrection | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | D Minor | 1 | 7A | 75 BPM | ||
Coronation Te Deum | William Walton, Martin Neary, The Choir Of Westminster Abbey, London Brass, English Chamber Orchestra, Martin Baker | A Major | 1 | 11B | 81 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XII. Amen and with Thy Spirit | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Minor | 1 | 7A | 75 BPM | ||
Infinity | Kim André Arnesen, Alicia Rigsby, Kantorei, Joel Rinsema | F Major | 1 | 7B | 129 BPM | ||
Tabortüznel | Lajos Bárdos, Ensemble vocal Filigrane, Jean-Philippe Billmann | D Minor | 1 | 7A | 89 BPM |
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