Marin Marais, Ensemble Amalia made "Marais: Pièces en trio: Suite No. 5 en mi mineur: VIII. Second menuet" available on September 15, 2023. With Marais: Pièces en trio: Suite No. 5 en mi mineur: VIII. Second menuet being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, Ensemble Amalia's "Marais: Trois suites en trio" album is number 8 out of 32. On top of that, France appears to be the country where this track was created. Based on our statistics, Marais: Pièces en trio: Suite No. 5 en mi mineur: VIII. Second menuet's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Marais: Pièces en trio: Suite No. 5 en mi mineur: VIII. Second menuet by Marin Marais, Ensemble Amalia to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ariane et Bacchus, Act I: Récit. Les Dieux, les justes Dieux l'auraient-ils bien permis ? | Marin Marais, Judith van Wanroij, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet | A♭ Major | 1 | 4B | 105 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Lachrimæ Antiquæ | John Dowland, Les Voix Humaines, Nigel North | G Minor | 1 | 6A | 92 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Sonata in tremulo | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | ||
Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | ||
Concerto in F Major, Seibel 234: 3. Un poco Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 99 BPM | ||
Io son ferito ahi lasso | Giovanni Pierluigi da Palestrina, Bruce Dickey, Stephen Stubbs, Erin Headley, Andrew Lawrence-King | G Minor | 0 | 6A | 134 BPM | ||
Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM |
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