"No Ordinary Traveller: IV. The End That Marks A Start" by Katy Abbott, Jacki Holland, Halcyon was released on March 3, 2014. With this song being about 5 minutes long, at 5:06, "No Ordinary Traveller: IV. The End That Marks A Start" by Katy Abbott, Jacki Holland, Halcyon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "The Domestic Sublime: The Vocal Music of Katy Abbott". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Australia. No Ordinary Traveller: IV. The End That Marks A Start is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With No Ordinary Traveller: IV. The End That Marks A Start by Katy Abbott, Jacki Holland, Halcyon having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | B♭ Minor | 0 | 3A | 86 BPM | ||
Sicilienne (arr. for brass ensemble by Roger Harvey) | Maria Theresia von Paradis, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Six Studies in English Folk Song: No. 6, Allegro vivace | Joseph Bartz | F Minor | 0 | 4A | 72 BPM | ||
Cello Concerto 'Earth, Sea, Air': II. Sea | Cheryl Frances-Hoad, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | D Major | 3 | 10B | 85 BPM | ||
Turandot: Nessun dorma | Giacomo Puccini, Szeged Trombone Ensemble, György Gyivicsan, Peter Steiner | B Major | 0 | 1B | 109 BPM | ||
Når jola kjem (When Yule-Tide Comes) [Arr. P. Grainger in E-Flat Major for Saxophone Ensemble] | Carl Gustav Sparre Olsen, Percy Grainger, J. Michael Holmes, Phil Pierick, Joyce Griggs | D Major | 4 | 10B | 125 BPM | ||
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | ||
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
Ameline (version for marimba and vibraphone) | Eric Sammut | G Minor | 1 | 6A | 160 BPM | ||
Bizet: Carmen | Georges Bizet, Christian Lindberg, Prince of Denmark Air Force Band | G Major | 2 | 9B | 115 BPM |
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