"Brideshead Revisited: No. 8, That First Visit" by Adrian Johnston, Terry Davies, BBC Philharmonic was released on September 1, 2008. The duration of Brideshead Revisited: No. 8, That First Visit is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Brideshead Revisited: No. 8, That First Visit's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Adrian Johnston, Terry Davies, BBC Philharmonic, Chris Garrick, John Etheridge, Peter Dixon, Jonathan Scott's "Johnston: Film Music from Brideshead Revisited" album is number 8 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Brideshead Revisited: No. 8, That First Visit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Brideshead Revisited: No. 8, That First Visit by Adrian Johnston, Terry Davies, BBC Philharmonic to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Don't Like This Game | Gabriel Yared | A Minor | 0 | 8A | 140 BPM | ||
Runaways | Original Soundtrack | E Major | 1 | 12B | 80 BPM | ||
Most Ardently in Love | Samuel Sim | G Minor | 2 | 6A | 153 BPM | ||
Hampshire | Original Soundtrack | C Major | 1 | 8B | 98 BPM | ||
Alice Studies | Guy Farley | G Minor | 1 | 6A | 86 BPM | ||
OH, WHAT A NOBLE MIND | Patrick Doyle, Brian May, Peter Frampton, Orchestra, Robert Ziegler | F Major | 1 | 7B | 87 BPM | ||
Empty Store | George Fenton | G Major | 1 | 9B | 82 BPM | ||
Last Days of Innocence | Christopher Willis | D Major | 2 | 10B | 49 BPM | ||
Am I Good Enough Now? | Carlos Rafael Rivera | D Minor | 0 | 7A | 88 BPM | ||
Lines on a Page (One Hundred Violins) | Max Richter, BBC Philharmonic, Rumon Gamba | A Minor | 2 | 8A | 92 BPM |
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