George Antheil, Morris Stoloff And His Orchestra's 'Main Title - From In a Lonely Place 1950' came out on November 21, 2022. With Main Title - From In a Lonely Place 1950 being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 15 in Best HUMPHREY BOGART Movie Themes, Vol. 2 by Various Artists. Based on our statistics, Main Title - From In a Lonely Place 1950's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Main Title - From In a Lonely Place 1950 by George Antheil, Morris Stoloff And His Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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2 Pieces for the Left Hand, Op. 9: No. 2. Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | D♭ Major | 0 | 3B | 76 BPM | ||
Ich steh mit einem Fuss im Grabe, BWV 156: I. Arioso (Arr. for Cello & Piano) | Johann Sebastian Bach, Duo Arnicans | G Major | 0 | 9B | 67 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Stille Musik: 1. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
Clarinet Sonata No. 1 in F Minor, Op. 120 (orch. L. Berio): II. Andante un poco adagio | Luciano Berio, Johannes Brahms, Karl-Heinz Steffens, Rhenish State Philharmonic Orchestra, Daniel Raiskin | A♭ Major | 0 | 4B | 69 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
Rhapsody In G Minor, Op.79, No.2 | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM | ||
Barcarolle No.4 in A Flat Major, Op.44 | Gabriel Fauré, Pascal Rogé | F Minor | 0 | 4A | 166 BPM | ||
Little Shimmy | George Antheil, Marthanne Verbit | D♭ Major | 0 | 3B | 104 BPM | ||
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): III. Fugue. Allegretto ma non troppo | César Franck, Jean-Pierre Armengaud | B♭ Minor | 2 | 3A | 94 BPM |
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