"Ave Maria" by Vienna Boys' Choir, Plácido Domingo was released on September 24, 2009. The duration of Ave Maria is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Ave Maria's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "The Tenor". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Ave Maria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ave Maria by Vienna Boys' Choir, Plácido Domingo having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Almighty God who hast me brought | Thomas Ford, Choir of Clare College, Cambridge, Timothy Brown | B♭ Major | 0 | 6B | 0 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Stabat mater: Ave verum corpus | Karl Jenkins, Polyphony, Stephen Layton | B Major | 1 | 1B | 128 BPM | ||
O Haupt voll Blut und Wunden | Hans Leo Hassler, Johann Hermann Schein, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel | D Major | 1 | 10B | 104 BPM | ||
Requiem in D Minor, K. 626: Kyrie | Wolfgang Amadeus Mozart, Max Emanuel Cenčić, Derek Lee Ragin, Michael Knapp, Gotthold Schwarz, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik | D Minor | 3 | 7A | 95 BPM | ||
Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
Requiem: IX. Requiem | Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens | F Minor | 2 | 4A | 110 BPM | ||
Christ lag in Todesbanden: Versus I | Johann Pachelbel, Beate Spaltner, Nils Giebelhausen, Wolf Matthias Friedrich, Jurgen Banholzer, Hermann Oswald, Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | D Minor | 3 | 7A | 109 BPM | ||
Byrd: Ave Verum Corpus | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Minor | 1 | 1A | 88 BPM | ||
4 Shakespeare Songs: No. 2. Lullaby | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | F♯ Major | 1 | 2B | 130 BPM |
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