"La Bayadere, Act I, Scene 2: 16. "Scarf Pas De Deux - Nikiya and Slave"" by Evergreen Symphony Orchestra, Kevin Galiè was released on February 26, 2018. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Evergreen Symphony Orchestra, Kevin Galiè's "La Bayadère" album is number 16 out of 53. Based on our statistics, La Bayadere, Act I, Scene 2: 16. "Scarf Pas De Deux - Nikiya and Slave"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Bayadere, Act I, Scene 2: 16. "Scarf Pas De Deux - Nikiya and Slave" by Evergreen Symphony Orchestra, Kevin Galiè to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Keyboard Concerto in D Major, Hob. XVIII:11 - Concerto for Piano: 2. Un poco Adagio (Cadenza By Wanda Landowska) | Franz Joseph Haydn, Wanda Landowska, Martha Argerich, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | A Major | 0 | 11B | 74 BPM | ||
Raymonda, Act II: Variation 3 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | A Major | 2 | 11B | 72 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 2: No. 30, Finale | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 2 | 10B | 129 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 86 BPM | ||
La source, ou Naila: Suite No. 2: Suite No. 2: Scene dansee | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 1 | 8B | 102 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 6. Polonaise. Moderato, quasi menuetto | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | B♭ Major | 2 | 6B | 115 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": II. Andante con moto | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Hungarian Dance No.12 in D minor - Orchestrated by Iván Fischer | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F Major | 1 | 7B | 75 BPM | ||
Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": IV. Finale. Spiritoso | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | D Major | 2 | 10B | 136 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | A♭ Major | 2 | 4B | 80 BPM |
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