Johann Caspar Ferdinand Fischer, Luc Beauséjour's 'Suite No. 3 in A Minor, "Melpomene": Allemande' had a release date set for November 5, 1999. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Suite No. 3 in A Minor, "Melpomene": Allemande's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 36 in Fischer: Musical Parnassus, Vol. 1 by Johann Caspar Ferdinand Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Suite No. 3 in A Minor, "Melpomene": Allemande is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No. 3 in A Minor, "Melpomene": Allemande by Johann Caspar Ferdinand Fischer, Luc Beauséjour is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Harpsichord in D Minor, BWV 1059r: II. Adagio | Johann Sebastian Bach, Combattimento | D Minor | 5 | 7A | 95 BPM | ||
Suite in A Major, BWV 1025: V. Allegro | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Hexachordum Apollinis: No. 3 in F Major, Aria & 6 Variations, P. 195 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Missa Sancti Michaelis Archangeli: IX. Credo | Johann Caspar Ferdinand Fischer, Marienkantorei Lemgo, Rainer Johannes Homburg, Handel's Company | E♭ Minor | 1 | 2A | 84 BPM | ||
Overture for Flute and Bassoon in G Major: VII. Air | Christoph Graupner, Pál Németh, Paolo Tognon, Capella Savaria | F♯ Major | 2 | 2B | 131 BPM | ||
Messa Delli Apostoli: Tocata avanti la Messa Delli Apostoli | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | E♭ Minor | 3 | 2A | 82 BPM | ||
Scarlatti, D: Keyboard Sonata in A Minor, Kk. 7 | Domenico Scarlatti, Scott Ross | F♯ Major | 5 | 2B | 109 BPM | ||
Concerto pour clavecin en Ré mineur, BWV. 1052: Concerto pour clavecin en Ré mineur, BWV. 1052: II. Adagio | Johann Sebastian Bach, Bertrand Cuiller, Daniel Cuiller, Stradivaria | B Minor | 1 | 10A | 89 BPM |