Giacomo Puccini, Plácido Domingo, Lorin Maazel, London Symphony Orchestra made "Gianni Schicchi: Firenze è come un albero fiorito" available on 1948. The duration of Gianni Schicchi: Firenze è come un albero fiorito is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Gianni Schicchi: Firenze è come un albero fiorito's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Puccini: Opera Arias and Love Scenes". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Gianni Schicchi: Firenze è come un albero fiorito's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Gianni Schicchi: Firenze è come un albero fiorito by Giacomo Puccini, Plácido Domingo, Lorin Maazel, London Symphony Orchestra having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64 - Act 2: Dance Of the Five Couples | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 2 | 7B | 89 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Andrea Bocelli, London Symphony Orchestra, Lorin Maazel | D Major | 4 | 10B | 132 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Guerrero, Jacinto: Los gavilanes, Act 1 Scene 1: No. 1b, Salida, "Mi aldea! Cuánto el alma se recrea" (Juan) | Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia, Orquesta Sinfónica de Madrid | B♭ Major | 2 | 6B | 97 BPM | ||
Malagueña | Ernesto Lecuona, Plácido Domingo, Lee Holdridge, Royal Philharmonic Orchestra | A Major | 2 | 11B | 169 BPM | ||
Bizet: Carmen: Qui sait de quel demon j'allais etre la proie! - Act One | Georges Bizet, Plácido Domingo, Kiri Te Kanawa | G Major | 2 | 9B | 77 BPM | ||
Manon Lescaut: Act I: Donna non vidi mai simile a questa! | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
El Huesped del Sevillano (Canto a la Espada) | Plácido Domingo | D Major | 4 | 10B | 118 BPM | ||
Los Gavilanes: Flor roja | Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia | C Major | 1 | 8B | 96 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM |
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