"Estudios: I. Oración" by Andrés Segovia, Alberto La Rocca was released on October 1, 2016. The duration of Estudios: I. Oración is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Estudios: I. Oración's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Segovia: Guitar Music". In this album, this song's track order is #15. Based on our statistics, Estudios: I. Oración's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Estudios: I. Oración by Andrés Segovia, Alberto La Rocca having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 9 for Guitar in G Minor: IV. Sarabande - Alternate Version | Robert de Visée, Andrés Segovia | D♭ Minor | 0 | 12A | 98 BPM | ||
Greeting Cards, Op. 170: No. 5. Tonadilla on the name of Andres Segovia | Mario Castelnuovo-Tedesco, Andrés Segovia | G Major | 1 | 9B | 88 BPM | ||
Le Départ, Op. 31: Fantaisie dramatique | Napoléon Coste, Alexandra Whittingham | E Minor | 2 | 9A | 82 BPM | ||
Sainz de la Maza: El Vito | Regino Sáinz de la Maza, Thibaut García | A Minor | 2 | 8A | 103 BPM | ||
Castillos de Espana II: No. 1. Turegano | Federico Moreno Torroba, Ana Vidovic | E Major | 1 | 12B | 93 BPM | ||
Serenata Burlesca | Andrés Segovia | C Major | 2 | 8B | 127 BPM | ||
Fantasia X | Alonso Mudarra, Alexander-Sergei Ramírez | D Major | 1 | 10B | 100 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): II. Cataluna (Corranda) | Jason Vieaux, Isaac Albéniz | G Minor | 1 | 6A | 78 BPM | ||
Suite espanola No. 1, Op. 47 (arr. J. Vieaux): III. Sevilla (Sevillanas) | Jason Vieaux, Isaac Albéniz | G Major | 2 | 9B | 111 BPM | ||
Chants d'Espagne, Op. 232 - Córdoba | Isaac Albéniz, Thibault Cauvin | D Minor | 1 | 7A | 120 BPM |
Section: 0.6778852939605713
End: 0.6829361915588379