Jerome Kern, Fred Astaire, Unknown Artist, John Scott Trotter made "On the Beam (From "You Were Never Lovelier")" available on October 1, 2013. The duration of On the Beam (From "You Were Never Lovelier") is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. On the Beam (From "You Were Never Lovelier")'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vintage Hollywood Classics, Vol. 6: Fred Astaire by Fred Astaire, Leo Reisman, Johnny Green, John Scott Trotter, Ray Noble, Johnny Mercer. The song's track number on the album is #18 out of 24 tracks. Based on our statistics, On the Beam (From "You Were Never Lovelier")'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since On the Beam (From "You Were Never Lovelier") by Jerome Kern, Fred Astaire, Unknown Artist, John Scott Trotter has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With On the Beam (From "You Were Never Lovelier") being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Country Fayre - 60 Second Edit | Johnny Pearson | C Major | 2 | 8B | 129 BPM | ||
Change Partners | Billy May & His Orchestra | A Major | 3 | 11B | 109 BPM | ||
Show Boat, Act One Scene Three: The man who ventures with chance | Jerome Kern, John McGlinn/London Sinfonietta/Ambrosian Chorus/Frederica von Stade/Jerry Hadley/Teresa Stratas/Bruce Hubbard/Karla Burns/David Garrison/Paige O'Hara/Robert Nichols/Nancy Kulp/Lillian Gish, John McGlinn, London Sinfonietta | B♭ Major | 3 | 6B | 81 BPM | ||
L'espoir - From Le toubib | Philippe Sarde, Marcel Azzola | F Major | 1 | 7B | 84 BPM | ||
Le camp - From Le toubib | Philippe Sarde | D♭ Minor | 1 | 12A | 88 BPM | ||
Do-Re-Mi | Living Strings | C Major | 3 | 8B | 129 BPM | ||
Not Goin' Home Anymore - From "Butch Cassidy And The Sundance Kid" Soundtrack | Burt Bacharach | E♭ Major | 1 | 5B | 97 BPM | ||
The Last Rose Of Summer | Deanna Durbin | E Major | 2 | 12B | 86 BPM | ||
Heliotrope Bouquet: A Slow Drag Two-Step | Scott Joplin, Alexander Peskanov | G Major | 1 | 9B | 132 BPM | ||
Main Title | Alfred Newman, Twentieth Century Fox Orchestra | F Minor | 3 | 4A | 60 BPM |
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