On February 3, 1950, the song "Wonderful, Wonderful Day" was released by Howard Keel, Jane Powell. The duration of Wonderful, Wonderful Day is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Wonderful, Wonderful Day's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Presenting Howard Keel". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. The popularity of Wonderful, Wonderful Day is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Wonderful, Wonderful Day by Howard Keel, Jane Powell having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lullaby of Broadway | Jerry Orbach, 42nd Street Ensemble | C Major | 3 | 8B | 81 BPM | ||
Razzle Dazzle | Jerry Orbach, Chicago Ensemble | D Major | 4 | 10B | 110 BPM | ||
If You Hadn't But You Did from Two On the Aisle, 1951 - Vocal | Kristin Chenoweth | E♭ Minor | 4 | 2A | 121 BPM | ||
Goin' Co'tin' | Jane Powell, Tommy Rall, Russ Tamblyn, Marc Platt, Matt Mattox, Gene Lanham, Jeff Richards, Jacques D'Amboise, Robert Wacker, Howard Hudson | E♭ Major | 2 | 5B | 64 BPM | ||
You're Getting to Be a Habit with Me | Tammy Grimes, Lee Roy Reams, Wanda Richert, 42nd Street Ensemble | A♭ Minor | 1 | 1A | 67 BPM | ||
It's Not Where You Start | Barbara Cook | B♭ Major | 5 | 6B | 78 BPM | ||
Would You? | Betty Noyes | A♭ Major | 2 | 4B | 140 BPM | ||
All I Do Is Dream of You | Debbie Reynolds | B♭ Major | 5 | 6B | 121 BPM | ||
Seventy Six Trombones | The Music Man Motion-Picture Ensemble | E♭ Major | 7 | 5B | 120 BPM | ||
Many A New Day Ballet | Original 1955 Oklahoma! Studio Orchestra, Darcy M. Proper | B♭ Major | 2 | 6B | 131 BPM |
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