Erik Satie, Francis Poulenc's 'Descriptions automatiques: I. Sur un vaisseau' came out on 1949. With Descriptions automatiques: I. Sur un vaisseau being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 204 in Erik Satie & Friends by Erik Satie. The popularity of Descriptions automatiques: I. Sur un vaisseau is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Descriptions automatiques: I. Sur un vaisseau by Erik Satie, Francis Poulenc is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Dolly, Op. 56 - 1. Berceuse | Gabriel Fauré, Alfons Kontarsky, Aloys Kontarsky | E Major | 0 | 12B | 142 BPM | ||
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
Rachmaniana: I. Andante improvizato | Daniil Trifonov | E Minor | 0 | 9A | 63 BPM | ||
Trois mouvements perpétuels, FP 14: II. Très modéré | Francis Poulenc | D Minor | 1 | 7A | 100 BPM | ||
Prelude in F Minor | Clara Schumann, Jozef De Beenhouwer | F Minor | 1 | 4A | 90 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Lieder ohne Worte, Op.67: No. 1. Andante in E flat, MWV U 180 | Felix Mendelssohn, Daniel Barenboim | E♭ Major | 0 | 5B | 68 BPM |
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