"Dolly Suite, Op. 56 (arr. H. Rabaud): V. Tendresse" by Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis was released on June 11, 1997. With this song being about 5 minutes long, at 4:35, "Dolly Suite, Op. 56 (arr. H. Rabaud): V. Tendresse" by Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 16 in Faure (The Best Of) by Gabriel Fauré. Dolly Suite, Op. 56 (arr. H. Rabaud): V. Tendresse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dolly Suite, Op. 56 (arr. H. Rabaud): V. Tendresse by Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
Rabaud: Églogue, Op. 7 | Henri Rabaud, Pierre Dervaux, Orchestre Philharmonique des Pays de Loire | D Major | 0 | 10B | 84 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Souvenir d'un lieu cher, Op. 42: Ib. Méditation (Orch. Glazunov) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov | B♭ Major | 2 | 6B | 99 BPM | ||
Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | B♭ Major | 1 | 6B | 85 BPM | ||
Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | G Major | 1 | 9B | 73 BPM | ||
Solo de concours, Op. 10 | Henri Rabaud, André Moisan, Louise-Andrée Baril | F♯ Major | 3 | 2B | 83 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM |
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