On October 19, 2019, the song "Molly on the Floor (Arr. for Clarinet Quartet by Erin Miesner)" was released by Percy Grainger, Lake Effect Clarinet Quartet. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Nielsen, Grainger, & Strauss". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Molly on the Floor (Arr. for Clarinet Quartet by Erin Miesner)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Molly on the Floor (Arr. for Clarinet Quartet by Erin Miesner) by Percy Grainger, Lake Effect Clarinet Quartet having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fanfare from La Peri | Paul Dukas, New York Philharmonic, Pierre Boulez | F Minor | 2 | 4A | 95 BPM | ||
Journey In the Dark (The Mines Fo Moria-The Bridge of Khazad-Dûm) | Johan de Meij | D Major | 0 | 10B | 55 BPM | ||
Salvation Is Created (arr. B. Houseknecht) | Pavel Chesnokov, Bruce Houseknecht, Rutgers Wind Ensemble | E♭ Major | 1 | 5B | 70 BPM | ||
Joyride | Michael Markowski, Brooklyn Wind Symphony, Jeff W. Ball | E♭ Major | 4 | 5B | 79 BPM | ||
Chorale and Shaker Dance | John P. Zdechlik, Concordia University Chicago Wind Symphony, Richard Fischer | G Major | 2 | 9B | 78 BPM | ||
Morceau de concert, Op. 94: I. Allegro moderato | Camille Saint-Saëns, Czech Philharmonic Orchestra, Václav Neumann, Zdeněk Tylšar | F Minor | 1 | 4A | 121 BPM | ||
English Folk Song Suite: IV. March "Folk Songs from Somerset" | Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | B♭ Major | 2 | 6B | 125 BPM | ||
Suite of Old American Dances: II. Schottische | Robert Russell Bennett, Cincinnati Wind Symphony, Eugene Migliaro Corporon | D Major | 0 | 10B | 123 BPM | ||
Suite française : V. Provence | Gérard Besse, Big Band des équipages de la flotte de Toulon, Denis Fourio | G Major | 2 | 9B | 134 BPM | ||
English Dances, Set 2, Op. 33: No. 2. Con brio | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | C Major | 4 | 8B | 142 BPM |