On October 11, 2019, the song "Du bist so schön, Berlinerin" was released by Bruno Hardt-Warden, Bernhard Ette Orchestra, Erwin Hartung. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Du bist so schön, Berlinerin's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Schellack Schätze: Treasures on 78 RPM from Berlin, Europe & the World, Vol. 34". In this album, this song's track order is #5. In terms of popularity, Du bist so schön, Berlinerin is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Du bist so schön, Berlinerin by Bruno Hardt-Warden, Bernhard Ette Orchestra, Erwin Hartung having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wir zahlen keine Miete mehr | Willi Forst, Lilian Harvey, Willy Fritsch | F Major | 3 | 7B | 176 BPM | ||
Heimweh nach dir: Finale (Heimweh nach dir) | Gerhard Wendland, Rudi Schuricke, Margot Hielscher, Film Choir, RIAS Tanzorchester, Werner Müller | E♭ Major | 2 | 5B | 86 BPM | ||
Wiener Blut (operetta): Wiener Blut | Johann Strauss II, Sandor Konya, Herta Talmar, Willy Hofmann, Chor, Kölner Rundfunkorchester, Franz Marszalek | C Major | 2 | 8B | 88 BPM | ||
Du hast Gluck bei den Frau'n Bel Ami | Lizzi Waldmoeller | E♭ Major | 4 | 5B | 74 BPM | ||
Kann denn die Kinder keiner lehren wie man spricht | Hamburg Radio Dance Orchestra | F Major | 5 | 7B | 99 BPM | ||
Wegen Emil seine unanstaendg e Lust | Claire Waldoff | D Major | 2 | 10B | 69 BPM | ||
Wenn der weisse Flieder wieder blüht | Tanzorchester Géza Komor | G Major | 3 | 9B | 89 BPM | ||
Das Loreleylied (Ich weiß nicht was soll es bedeuten) | Johannes Kalpers | D♭ Major | 5 | 3B | 121 BPM | ||
Lied der Partei (1950) | Ernst Busch | B Minor | 4 | 10A | 118 BPM | ||
Ein Wiener Kaffeehaus | Orchester der Vereinigten Bühnen Wien | D Minor | 6 | 7A | 127 BPM |