"Les saisons (The Seasons), Op. 37b: IV. April: Snowdrop" by Ilya Rachkovsky was released on October 28, 2008. The duration of Les saisons (The Seasons), Op. 37b: IV. April: Snowdrop is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Les saisons (The Seasons), Op. 37b: IV. April: Snowdrop's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Tchaikovsky, P.I.: The Seasons / Piano Sonata in C Sharp Minor". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Les saisons (The Seasons), Op. 37b: IV. April: Snowdrop's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les saisons (The Seasons), Op. 37b: IV. April: Snowdrop by Ilya Rachkovsky having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, (Suite), Op. 46: VI. Pastorale | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 182 BPM | ||
Serenade in E Minor, Op. 20: II. Larghetto | Edward Elgar, Wales Camerata, Owain Arwel Hughes | C Major | 0 | 8B | 75 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Faschingsschwank aus Wien, Op. 26: IV. Intermezzo (Colla più grande energia) | Robert Schumann, Maria João Pires | D♭ Major | 2 | 3B | 109 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 1 Nar ronnen blommar (When the Rowan Blossoms) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 75 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
12 Études caractéristiques, Op. 2: No. 6 in F-Sharp Major, "Si oiseau j'etais, a toi je volerais!" | Adolf von Henselt, Sergio Gallo | F♯ Major | 1 | 2B | 100 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM |
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