"La Salviata" by Domenico Anglesi, Theatro dei Cervelli, Andrés Locatelli was released on February 16, 2024. With this song being about 5 minutes long, at 5:11, "La Salviata" by Domenico Anglesi, Theatro dei Cervelli, Andrés Locatelli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in La Morra, Theatro dei Cervelli, Francesco Corti's "Music in Golden-Age Florence 1250-1750" album is number 16 out of 49. On top of that, Germany appears to be the country where this track was created. In terms of popularity, La Salviata is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Salviata by Domenico Anglesi, Theatro dei Cervelli, Andrés Locatelli to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Paschalis, ZWV 7: Kyrie. Christe eleison | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Terry Wey | A♭ Major | 1 | 4B | 105 BPM | ||
Armide, LWV 71, Act I Scene 4: O ciel! (Aronte, Armide, Hidraot, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Virgile Ancely, Stéphanie D'Oustrac, Tomislav Lavoie, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: II. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
O Bone Jesu | ensemble tresonare | D Minor | 1 | 7A | 106 BPM | ||
Glosada LXVI | The Royal Wind Music, Capella Sancta María, Alfred Fernández | D♭ Major | 0 | 3B | 90 BPM | ||
Lamento della ninfa: II. Amor | Claudio Monteverdi, Ann Wallström, Stefan Lindvall, David Gammelgård, Anders Ericson, Mattias Frostenson, Fredrik Malmberg, Harmony of Voices | A♭ Minor | 1 | 1A | 68 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
1ère suite en la mineur, 5ème livre 1ère partie: Petit caprice | Marin Marais, Jean-Louis Charbonnier, Paul Rousseau, Mauricio Buraglia, Pierre Trocelier | A♭ Minor | 0 | 1A | 131 BPM | ||
Elevatio O miraculum! | Sébastien de Brossard, Sébastien Daucé, Ensemble Corrrespondances | C Major | 2 | 8B | 94 BPM |
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