"Do You Know What It Means To Miss New Orleans" by Harry Connick, Jr. was released on November 1, 1988. With this song being about 5 minutes long, at 5:17, "Do You Know What It Means To Miss New Orleans" by Harry Connick, Jr. is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 20, so we believe that "Do You Know What It Means To Miss New Orleans" is a single. In terms of popularity, Do You Know What It Means To Miss New Orleans is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Do You Know What It Means To Miss New Orleans by Harry Connick, Jr. is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Where Or When | Artie Shaw | D Minor | 3 | 7A | 108 BPM | ||
(I Left My Heart) In San Francisco | Tony Bennett | C Major | 1 | 8B | 128 BPM | ||
Back in Your Own Back Yard | William Galison & Madeleine Peyroux | B♭ Major | 4 | 6B | 176 BPM | ||
Days Of Wine And Roses | Jaimee Paul, Mason Embry Trio | C Minor | 2 | 5A | 133 BPM | ||
Bill | Morgana King | G Major | 1 | 9B | 83 BPM | ||
September Song (From the 1938 Musical Play "Knickerboker Holiday") | Jimmy Durante | G Major | 3 | 9B | 98 BPM | ||
Bewitched | Carol Welsman | D Major | 1 | 10B | 95 BPM | ||
Do Nothing 'Til You Hear From Me | Molly Johnson | B♭ Major | 2 | 6B | 65 BPM | ||
Accentuate the Positive | Perry Como | C Major | 4 | 8B | 131 BPM | ||
It Had to Be You | Carol Welsman | B♭ Major | 1 | 6B | 175 BPM |
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