"Adagio for Strings, Op. 11" by Samuel Barber, New Zealand Symphony Orchestra, Andrew Schenck was released on January 1, 1988. Since Adagio for Strings, Op. 11 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 7 in Barber: Works for Orchestra by Samuel Barber, New Zealand Symphony Orchestra, Andrew Schenck. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Adagio for Strings, Op. 11 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adagio for Strings, Op. 11 by Samuel Barber, New Zealand Symphony Orchestra, Andrew Schenck is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in E Minor, Op.11: II. Romanze - Larghetto | George Fenton | E Major | 1 | 12B | 60 BPM | ||
Nocturne No. 20 in C-Sharp Minor, Op. posth (Arranged for Violin & Orchestra) | Frédéric Chopin, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 61 BPM | ||
Anna's Theme | John Corigliano, Esa-Pekka Salonen | A Minor | 0 | 8A | 66 BPM | ||
Variation 5: Quasi presto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Minor | 1 | 8A | 122 BPM | ||
Japan | Jan A.P. Kaczmarek | A Minor | 2 | 8A | 75 BPM | ||
End Title Wakefield | Aaron Zigman, Jean-Yves Thibaudet, Aaron Zigman Ensemble | A Minor | 0 | 8A | 65 BPM | ||
Peer Gynt, Op. 23: Act IV, 13, Prelude - Morning Mood | Edvard Grieg, Esa-Pekka Salonen | E Major | 0 | 12B | 125 BPM | ||
Adagio | Samuel Barber, Philharmonia Orchestra, Geoffrey Simon | B♭ Minor | 5 | 3A | 120 BPM | ||
Piano Concerto No. 1 in E Minor, Op.11: III. Rondo - Vivace (Excerpt) | George Fenton | E Major | 2 | 12B | 93 BPM | ||
Piano Concerto No.5 in E flat major Op.73 -"Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink | B Major | 0 | 1B | 89 BPM |
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