"The Messiah: Part. I, Accompagnato (Comfort ye, my people" by Lithuanian Chamber Orchestra was released on November 28, 2008. The duration of The Messiah: Part. I, Accompagnato (Comfort ye, my people is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. The Messiah: Part. I, Accompagnato (Comfort ye, my people's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "The Messiah". In this album, this song's track order is #2. In terms of popularity, The Messiah: Part. I, Accompagnato (Comfort ye, my people is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Messiah: Part. I, Accompagnato (Comfort ye, my people by Lithuanian Chamber Orchestra having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quintet In C, D. 956: 4. Allegretto | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | G Major | 1 | 9B | 97 BPM | ||
Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker, Yo-Yo Ma | D♭ Major | 0 | 3B | 78 BPM | ||
Nocturne No.14 In F Sharp Minor, Op.48 No.2 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumble-bee (arr. B. Traubas): The Tale of Tsar Saltan: Flight of the Bumble-bee (arr. B. Traubas) | Borisas Traubas, Nikolai Rimsky-Korsakov, Vytautas Sondeckis, Lithuanian Chamber Orchestra, David Geringas | B♭ Major | 1 | 6B | 131 BPM | ||
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato | Johannes Brahms, David Zinman | E Minor | 1 | 9A | 88 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: III. Grave | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 0 | 6A | 94 BPM | ||
Schumann: Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andante grazioso) [Live] | Robert Schumann, Martha Argerich, Alexandre Rabinovitch-Barakovsky, Orchestra della Svizzera Italiana | A Major | 1 | 11B | 130 BPM | ||
Symphony No.101 in D major, The Clock : II. Andante | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | G Major | 0 | 9B | 85 BPM |
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