Pu.Acharya Udayratna Suriji M.s., SHIVAM SINGH, umang bhavshar made "SAIYAM NI KARO TAIYARI - Jain Diksha Song" available on 2019. Since SAIYAM NI KARO TAIYARI - Jain Diksha Song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since SAIYAM NI KARO TAIYARI (Jain Diksha Song) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from France. In terms of popularity, SAIYAM NI KARO TAIYARI - Jain Diksha Song is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With SAIYAM NI KARO TAIYARI - Jain Diksha Song by Pu.Acharya Udayratna Suriji M.s., SHIVAM SINGH, umang bhavshar having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Radha Ka Naam Anmol | Shradheya Mridul Krishan Goswami Ji, Shradheya Gaurav Krishan Goswami Ji | A♭ Major | 7 | 4B | 80 BPM | ||
Kum Kumna Pagala | Bharat Joshi | E♭ Minor | 6 | 2A | 144 BPM | ||
Sada Sarvada | Ketan Patwardhan | B♭ Major | 1 | 6B | 85 BPM | ||
Aaj Braj Mein Holi Re Rasiya | Kanhaiya Mittal | D♭ Major | 10 | 3B | 85 BPM | ||
Mava tari murtima | Sagar Fadke | C Minor | 6 | 5A | 130 BPM | ||
He Karunana Karnara | Soli Kapadiya | A♭ Minor | 4 | 1A | 93 BPM | ||
Dada Aadishwarji Dur | Deepali Somaiya | F♯ Major | 5 | 2B | 96 BPM | ||
Kumkum Na Pagla Padya | Osman Mir | D Major | 8 | 10B | 150 BPM | ||
Kano Dwarika Vado | Rajesh Ahir | D♭ Minor | 8 | 12A | 130 BPM | ||
Nemji Shamaliya | Bhavesh Sumariya | F♯ Minor | 7 | 11A | 126 BPM |
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