Anonymous, Millenarium's 'La quarte estampie royal' came out on 1998. The duration of La quarte estampie royal is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. La quarte estampie royal's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Millenarium, Chœur De Chambre De Namur's "Love, Revelry and the Dance in Mediæval Music" album is number 4 out of 104. On top of that, Belgium appears to be the country where this track was created. La quarte estampie royal is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La quarte estampie royal by Anonymous, Millenarium to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agni parthene - Hymnos akahistos | Nektarius Eginskij, Ensemble Kupalinka | A♭ Major | 1 | 4B | 174 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Ahi! Amours | Conon de Béthune, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 81 BPM | ||
We Praise Thee, O God No. 4 in G Major | Lege Artis Chamber Choir, Boris Abalyan | A Major | 1 | 11B | 173 BPM | ||
Palästinalied - VI cruzada | Walther von der Vogel, Anonymous, Capella de Ministrers, Carles Magraner | A Major | 4 | 11B | 110 BPM | ||
Adoramus te Christe | Théodore Dubois, Chorale franco-allemande de Paris, Bernard Lallement, Georges Bessonnet, Thierry Pentsch, Li-Chin Huang | C Major | 0 | 8B | 127 BPM | ||
Tempo Della Glora E Della Vita. Antifona D'Ingresso: Resurexi | Canonici Regolari Si Sant'Antimo | G Major | 0 | 9B | 133 BPM | ||
Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
Lauda Sion: Nunc dimittis - Sequentia in Festo Corporis Christi | Gregorian Chant, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | A Major | 1 | 11B | 106 BPM |
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