Carl Philipp Emanuel Bach, Ana-Marija Markovina made "Keyboard Sonata in G Major, Wq. 50/2, H. 137: I. Allegretto" available on April 29, 2014. With this song being about 5 minutes long, at 4:46, "Keyboard Sonata in G Major, Wq. 50/2, H. 137: I. Allegretto" by Carl Philipp Emanuel Bach, Ana-Marija Markovina is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 25 in C.P.E. Bach: The Complete Works for Piano Solo, Vol. 3 by Carl Philipp Emanuel Bach, Ana-Marija Markovina. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Keyboard Sonata in G Major, Wq. 50/2, H. 137: I. Allegretto is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Keyboard Sonata in G Major, Wq. 50/2, H. 137: I. Allegretto by Carl Philipp Emanuel Bach, Ana-Marija Markovina is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Freie Fantasie fürs Clavier in F-Sharp Minor, H. 300: I. Adagio | Carl Philipp Emanuel Bach, Marc-André Hamelin | F♯ Minor | 0 | 11A | 69 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
L'Engageante: 13ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | B Minor | 1 | 10A | 75 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM |
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