"Dutilleux: The Shadows of Time: IV. Vagues de lumière" by Henri Dutilleux, Seiji Ozawa, Boston Symphony Orchestra was released on August 1, 1998. The duration of Dutilleux: The Shadows of Time: IV. Vagues de lumière is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Dutilleux: The Shadows of Time: IV. Vagues de lumière's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 5 in Dutilleux: The Shadows of Time by Henri Dutilleux, Seiji Ozawa, Boston Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Dutilleux: The Shadows of Time: IV. Vagues de lumière is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dutilleux: The Shadows of Time: IV. Vagues de lumière by Henri Dutilleux, Seiji Ozawa, Boston Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Girls of the Golden West: Lola Montez Does the Spider Dance | John Adams, ORF Vienna Radio Symphony Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 82 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
D'un matin de printemps | Lili Boulanger, Orchestre National De Lyon, Nikolaj Szeps-Znaider | C Major | 1 | 8B | 142 BPM | ||
Symphony No. 1: I. Passacaille | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo | Béla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | A Major | 3 | 11B | 140 BPM | ||
Whirld (2018) for violin and orchestra: I. Nigredo – | Rolf Wallin, Stavanger Symphony Orchestra, Andris Poga, Eldbjørg Hemsing | C Major | 0 | 8B | 63 BPM | ||
Trombone Concerto No. 12, Op. 52: Allegro moderato - | Vagn Holmboe, Jesper Juul Sorensen, Danish National Symphony Orchestra, Henrik Vagn Christensen | E Minor | 1 | 9A | 76 BPM | ||
The Companion Guide To Rome: II Benedetto | Andrew Norman, A Far Cry | G Major | 2 | 9B | 115 BPM | ||
Violin Concerto "To the Memory of an Angel": I. Andante – Allegretto | Alban Berg, Berliner Philharmoniker, Frank Peter Zimmermann, Kirill Petrenko | G Major | 1 | 9B | 70 BPM |
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