On 2006, the song "Concerto in D Major, L. 10: IV. Fuga" was released by Leonardo Leo, Julius Berger, Südwestdeutsches Kammerorchester Pforzheim, Vladislav Czarnecki. The duration of Concerto in D Major, L. 10: IV. Fuga is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Concerto in D Major, L. 10: IV. Fuga's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leonardo Leo, Julius Berger, Südwestdeutsches Kammerorchester Pforzheim, Vladislav Czarnecki's "Leonardo: Cello Concertos" album is number 4 out of 25. Based on our statistics, Concerto in D Major, L. 10: IV. Fuga's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto in D Major, L. 10: IV. Fuga by Leonardo Leo, Julius Berger, Südwestdeutsches Kammerorchester Pforzheim, Vladislav Czarnecki to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Ich hatte viel Bekümmernis, BWV 21: Ich hatte viel Bekummernis, BWV 21: Sinfonia | Johann Sebastian Bach, Il Gardellino | B Minor | 2 | 10A | 65 BPM | ||
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
Cantata No. 182, BWV 182 "Himmelskönig, sei willkommen": Sinfonia | Johann Sebastian Bach, Accademia Bizantina, Ottavio Dantone | F♯ Major | 0 | 2B | 107 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM | ||
Dalla morte alla vita di Santa Maria Maddalena (Excerpts): Correte a Maddalena [Live] | Leonardo Leo, Agata Bienkowska, Gian Luca Pasolini, Giuseppe Naviglio, Enrico Torre, Aurelio Schiavoni, Carlo Torriani, Paolo Lopez, Orchestra Barocca la Confraternita de Musici, Cosimo Prontera | E Major | 2 | 12B | 63 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): IV. Giga: Allegro (arr. W. Babell) | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | D♭ Major | 1 | 3B | 126 BPM | ||
Trio Sonata in F Major, W. VII:3, B. 12: I. Allegro | Johann Christoph Friedrich Bach, London Baroque | A Major | 1 | 11B | 98 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: V. Allegro | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
"Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
Sonata in G, Op.1, No.9: 1. Allegro | Arcangelo Corelli, Monica Huggett, Alison Bury, Hopkinson Smith, Ton Koopman, Jaap Ter Linden | D♭ Major | 1 | 3B | 79 BPM |
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