Johann Sebastian Bach, Wilhelm Kempff's 'Prelude & Fugue in G Major (Well-Tempered Clavier, Book I, No. 15), BWV 860: Fugue' came out on January 1, 1999. The duration of Prelude & Fugue in G Major (Well-Tempered Clavier, Book I, No. 15), BWV 860: Fugue is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Prelude & Fugue in G Major (Well-Tempered Clavier, Book I, No. 15), BWV 860: Fugue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 36 in Bach: The Well-tempered Clavier I - Selection by Johann Sebastian Bach, Wilhelm Kempff. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Prelude & Fugue in G Major (Well-Tempered Clavier, Book I, No. 15), BWV 860: Fugue is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prelude & Fugue in G Major (Well-Tempered Clavier, Book I, No. 15), BWV 860: Fugue by Johann Sebastian Bach, Wilhelm Kempff is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Johannes-Passion, BWV 245.1: 32. Aria: Mein teurer Heiland | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, Tobias Berndt | D Major | 2 | 10B | 172 BPM | ||
Boccherini: Cello Concerto No. 9 in B-Flat Major, G. 482: III. Rondo. Allegro (Cadenza by Grützmacher) | Luigi Boccherini, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 2 | 6B | 141 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: I. Adagio | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 147 BPM | ||
Savior of the Nations, Come, BWV 659 (Arr. for 4 Cellos) | Johann Sebastian Bach, Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
Johannes-Passion, BWV 245.1: 2. Recitativo: Jesus ging mit seinen Jüngern | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM |
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