"Membra Jesu nostri, BuxWV 75: Sonata" by Dietrich Buxtehude, Aki Yanagisawa, Midori Suzuki, Yoshikazu Mera, Makoto Sakurada, Yoshitaka Ogasawara, Yoshie Hida, Yuko Anazawa, Bach Collegium Japan, Masaaki Suzuki was released on May 31, 1998. With Membra Jesu nostri, BuxWV 75: Sonata being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 39 in Buxtehude: Membra Jesu Nostri by Dietrich Buxtehude. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Membra Jesu nostri, BuxWV 75: Sonata is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Membra Jesu nostri, BuxWV 75: Sonata by Dietrich Buxtehude, Aki Yanagisawa, Midori Suzuki, Yoshikazu Mera, Makoto Sakurada, Yoshitaka Ogasawara, Yoshie Hida, Yuko Anazawa, Bach Collegium Japan, Masaaki Suzuki is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Trumpet Sonata in D Major: IV. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 4 | 3B | 185 BPM | ||
Psyche, Act I: Overture | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Lachrimae | Johann Schop, Rachel Podger, Brecon Baroque | D♭ Minor | 1 | 12A | 119 BPM | ||
愛して愛して愛しちゃったのよ | Yoshikazu Mera | C Major | 2 | 8B | 76 BPM | ||
Hamburg Symphony No. 4 in A Major, Wq. 182: II. Largo ed innocentemente | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Musique de table, Pt. I, Concerto for Flute, Violin, and Cello in A Major, TWV 53:A2: I. Largo | Georg Philipp Telemann, Orchestra of the Golden Age | A♭ Major | 0 | 4B | 98 BPM | ||
Sonata for Violin and Basso Continuo in G Major, GWV 707: I. Andante | Christoph Graupner, Naomi Dumas, Caitlyn Koester | E♭ Minor | 1 | 2A | 109 BPM | ||
Trio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
Airs for the Winter: Golden Rod: III. Tempo di minuetto: Allegro | James Oswald, The Broadside Band | A Major | 2 | 11B | 76 BPM |
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