"L'Orgue Mystique - Seventh Sunday after Pentecost: Elevation" by Charles Tournemire, David M Patrick was released on September 9, 1991. With L'Orgue Mystique - Seventh Sunday after Pentecost: Elevation being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in David M Patrick's "Great European Organs No.28: Blackburn Cathedral" album is number 15 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, L'Orgue Mystique - Seventh Sunday after Pentecost: Elevation's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'Orgue Mystique - Seventh Sunday after Pentecost: Elevation by Charles Tournemire, David M Patrick to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Hush | Sonic Piano Music | F Minor | 0 | 4A | 71 BPM | ||
A brief story of Peter Abelard (verson for soprano saxophone and organ) | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | B♭ Minor | 1 | 3A | 68 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
二つの悲しき旋律: 第2曲: 過ぎし春 | Edvard Grieg, 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
Forgive My Error | Max Richtar | G Minor | 1 | 6A | 182 BPM | ||
Orgelsymfoni nr. 5 i F, Op. 42, nr. 1; V Allegro ”Toccata” | Charles-Marie Widor, Sven Verner Olsen | F Major | 3 | 7B | 108 BPM | ||
Solemn Occasion | Ray Davies | E♭ Major | 0 | 5B | 66 BPM | ||
Tournemire: L'orgue mystique, Cycle de Pâques, Op. 56, Office No. 15 "Lætare": I. Prélude à l'introït | Charles Tournemire, Pierre Segond | E♭ Major | 0 | 5B | 70 BPM | ||
Gabrieli, A: Intonatione del primo tono | Andrea Gabrieli, James O'Donnell | C Major | 1 | 8B | 68 BPM | ||
Nun lob mein Seel den Herrn | Łukasz Bobka | A Major | 2 | 11B | 77 BPM |
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