"Unser Mund sei voll Lachens, BWV 110: III. Recitativo. Dir, Herr, ist Niemand gleich (Basso)" by Johann Sebastian Bach, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink had its release date on June 7, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Sebastian Bach, Ruth Holton, Marjon Strijk, Knut Schoch, Marcel Beekman, Nico Van Der Meel, Sytse Buwalda, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink's "J.S. Bach: Complete Sacred Cantatas Vol. 06, BWV 101-120" album is number 58 out of 124. On top of that, Netherlands appears to be the country where this track was created. The popularity of Unser Mund sei voll Lachens, BWV 110: III. Recitativo. Dir, Herr, ist Niemand gleich (Basso) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Unser Mund sei voll Lachens, BWV 110: III. Recitativo. Dir, Herr, ist Niemand gleich (Basso) by Johann Sebastian Bach, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Passions-Oratorium, Das selige Erwägen des bittern Leidens und Sterbens Jesu Christi, TWV5:2: Aria. Menschemhände Menschenlippen tun (Die Andacht) | Georg Philipp Telemann, Zeger Vandersteene, L'arpa Festante, Wolfgang Schäfer | E Major | 1 | 12B | 84 BPM | ||
I. Dem Gerechten Muß Das Licht Immer Wieder Aufgehen BWV 195, Wedding Cantata, Trauungskantate: Recitativo (Basso), Dem Freudenlicht Gerechter Frommen | Pieter Jan Leusink, Frank Wakelkamp, Will Wroth, Marjon Strijk, Geerten Rooze, Sytse Buwalda, Rien Voskuilen, Holland Boys Choir, Netherlands Bach Collegium, Susan Williams, Amsterdam Classics B.V., Jean Van Vugt, Martin Geesink, Martinus Leusink, Louis Van Emmerik, Johann Sebastian Bach, Bas Ramselaar | B Major | 2 | 1B | 139 BPM | ||
Auf Christi Himmelfahrt allein, BWV 128: II. Recitative "Ich bin bereit, komm, hole mich!" | Johann Sebastian Bach, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, Raphael Höhn | F♯ Major | 2 | 2B | 137 BPM | ||
Wach, Nachtigall, wach auf | Erhard Mauersberger, Thomanerchor Leipzig, Georg Christoph Biller | A♭ Major | 2 | 4B | 107 BPM | ||
Lobe den Herrn, meine Seele (Chorus) | Johann Sebastian Bach, Katherine Fuge, Robin Tyson, Christoph Genz, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 4 | 3B | 103 BPM | ||
Messiah, HWV 56 / Pt. 1: "Comfort Ye, My People" | George Frideric Handel, Charles Daniels, Gabrieli, Paul McCreesh | A Major | 2 | 11B | 76 BPM | ||
Christmas Mass - Processional:"Christum wir sollen loben schon" - Arranged By Michael Praetorius / Har. Lucas Osiander | Martin Luther, Anders Engberg-Pedersen, Gabrieli, Paul McCreesh | E Major | 0 | 12B | 107 BPM | ||
Ermuntre Dich, Mein Schwacher Geist, Weihnachtsoratorium Bwv 248 | Nicol Matt, Ute Petersilge, Nordic Chamber Choir, Heike Hümmer, Robert Sagasser, Jörg Halobek, Jens Wollenschläger, Soloist Of The Freiburger Barockorchester, Martina Rotbauer, Johann Sebastian Bach | F♯ Major | 3 | 2B | 81 BPM | ||
Swan Lake, Op. 20, TH 12, Act II, No. 10: Scène (Moderato - Più mossoe) | Pyotr Ilyich Tchaikovsky, Neeme Järvi, Bergen Philharmonic Orchestra | E Minor | 1 | 9A | 174 BPM | ||
Johannes-Passion, BWV 245.1: 10. Recitativo: Derselbe Jünger war dem Hohenpriester bekannt | Johann Sebastian Bach, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel Ochoa, Leopold Görsch, Jannes Arndt, Carlos Voß | F Minor | 2 | 4A | 34 BPM |