Ensemble Akadêmia, Françoise Lasserre's 'Matthäus-Passion, BWV 244: No. 10, Choral "Ich bin's, ich sollte büßen"' came out on February 5, 2015. With Matthäus-Passion, BWV 244: No. 10, Choral "Ich bin's, ich sollte büßen" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 46 in the song's album "Une passion: "Et ils me cloueront sur le bois"". In this album, this song's track order is #14. Furthermore, we believe that the track originated from France. Matthäus-Passion, BWV 244: No. 10, Choral "Ich bin's, ich sollte büßen" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Matthäus-Passion, BWV 244: No. 10, Choral "Ich bin's, ich sollte büßen" by Ensemble Akadêmia, Françoise Lasserre having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Paschalis, ZWV 7: Credo. Credo in unum Deum | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Israel in Egypt, HWV 54: Part III, Moses Song: The earth swallowed them (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Johannes-Passion, BWV 245, Pt. 2: No. 15, Choral. Christus, der uns selig macht | Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien, Chorus Viennensis, Vienna Boys' Choir | F♯ Minor | 2 | 11A | 121 BPM | ||
Matthäus-Passion, BWV 244: No. 39, Aria "Erbarme dich" | Ensemble Akadêmia, Françoise Lasserre | E♭ Minor | 1 | 2A | 107 BPM | ||
Suite in E Minor, RCT 2: V. Le Rappel des Oiseaux | Jean-Philippe Rameau, Michel Kiener | F♯ Minor | 4 | 11A | 120 BPM | ||
Gott Hilf Mir, BuxWV 34: Concerto Fürchte dich nicht | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Aria: Schame dich, o Seele, nicht (Alto) | Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | B Major | 1 | 1B | 131 BPM | ||
Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria: Sei getreu (Tenor) | Johann Sebastian Bach, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | F♯ Minor | 1 | 11A | 71 BPM | ||
Magnificat Fugue Primi Toni I, P257 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM |
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