The Importance of Being Earnest, Act I: Did You Hear What I Was Playing? (Live)
Gerald Barry, Joshua Bloom, Benjamin Bevan, Peter Tantsits, Hilary Summers, Alan Ewing, Matt Durkan, Rob Jenkins, Birmingham Contemporary Music Group, Thomas Adès
Gerald Barry: The Importance of Being Earnest (Live)
4:36 November 4, 2014
BPM
76
Key
C Major
Camelot
8B

Embed

Share Link

The Importance of Being Earnest, Act I: Did You Hear What I Was Playing? (Live) - Gerald Barry, Joshua Bloom, Benjamin Bevan, Peter Tantsits, Hilary Summers, Alan Ewing, Matt Durkan, Rob Jenkins, Birmingham Contemporary Music Group, Thomas Adès Information

Acousticness
98%
Danceability
54%
Energy
21%
Instrumentalness
0%
Liveness
57%
Loudness
66%
Speechiness
12%
Valence
42%
Popularity
Loudness
-20.655 dB

Summary

Gerald Barry, Joshua Bloom, Benjamin Bevan, Peter Tantsits, Hilary Summers, Alan Ewing, Matt Durkan, Rob Jenkins, Birmingham Contemporary Music Group, Thomas Adès's ' "The Importance of Being Earnest, Act I: Did You Hear What I Was Playing? (Live)" was released on its scheduled release date, November 4, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gerald Barry, Barbara Hannigan, Peter Tantsits, Katalin Károlyi, Joshua Bloom, Birmingham Contemporary Music Group, Thomas Adès's "Gerald Barry: The Importance of Being Earnest (Live)" album is number 2 out of 37. On top of that, United Kingdom appears to be the country where this track was created. The Importance of Being Earnest, Act I: Did You Hear What I Was Playing? (Live) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

The Importance of Being Earnest, Act I: Did You Hear What I Was Playing? (Live) BPM

We consider the tempo marking of The Importance of Being Earnest, Act I: Did You Hear What I Was Playing? (Live) by Gerald Barry, Joshua Bloom, Benjamin Bevan, Peter Tantsits, Hilary Summers, Alan Ewing, Matt Durkan, Rob Jenkins, Birmingham Contemporary Music Group, Thomas Adès to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.

The Importance of Being Earnest, Act I: Did You Hear What I Was Playing? (Live) Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No. 2 in C minor - Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Mit Aufschwung, aber nicht eilen (Duet: "O Schmerz")Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes PrinzE♭ Major35B87 BPM
Harpsichord Concerto No. 1 in D Minor, BWV 1052: III. Allegro by Johann Sebastian Bach, Fabio BonizzoniHarpsichord Concerto No. 1 in D Minor, BWV 1052: III. AllegroJohann Sebastian Bach, Fabio BonizzoniD♭ Minor412A117 BPM
Adagio for Glass Harmonica, K. 617a by Wolfgang Amadeus Mozart, Vienna Glass Armonica DuoAdagio for Glass Harmonica, K. 617aWolfgang Amadeus Mozart, Vienna Glass Armonica DuoE♭ Minor02A67 BPM
Piano Trio No. 2 in E Minor, Op. 67: IV. Allegretto by Dmitri Shostakovich, Yo-Yo Ma, Emanuel Ax, Isaac SternPiano Trio No. 2 in E Minor, Op. 67: IV. AllegrettoDmitri Shostakovich, Yo-Yo Ma, Emanuel Ax, Isaac SternA Major111B161 BPM
The Rite of Spring, Part 1: I. Adoration of the Earth by Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic OrchestraThe Rite of Spring, Part 1: I. Adoration of the EarthIgor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic OrchestraD Major010B79 BPM
St. Paul's Suite Op. 29/2: Jig by Gustav Holst, Ross PopleSt. Paul's Suite Op. 29/2: JigGustav Holst, Ross PopleG Major19B74 BPM
Pushkin's Garland: Reveille by Georgy Sviridov, Vladimir Minin, Moscow Chamber ChoirPushkin's Garland: ReveilleGeorgy Sviridov, Vladimir Minin, Moscow Chamber ChoirD♭ Major03B103 BPM
Peter and the Wolf, Op. 67 (Without Narration): The Bird by Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej LenardPeter and the Wolf, Op. 67 (Without Narration): The BirdSergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej LenardC Major08B99 BPM
Don Giovanni, K.527: Overture by Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville MarrinerDon Giovanni, K.527: OvertureWolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville MarrinerD Major110B129 BPM
Symphony No. 2: II. Allegro molto by Sergei Rachmaninoff, Valery Gergiev, London Symphony OrchestraSymphony No. 2: II. Allegro moltoSergei Rachmaninoff, Valery Gergiev, London Symphony OrchestraF Major17B146 BPM
ISRC
GBCML1419702
Label
L-M Records/RCA Records