Johann Sebastian Bach, Jakob Lindberg's 'Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Lindberg for Lute): I. Prélude' came out on November 5, 2021. The duration of Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Lindberg for Lute): I. Prélude is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Lindberg for Lute): I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 20 in Bach on the Rauwolf Lute by Johann Sebastian Bach, Jakob Lindberg. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Lindberg for Lute): I. Prélude is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cello Suite No. 1 in G Major, BWV 1007 (Arr. J. Lindberg for Lute): I. Prélude by Johann Sebastian Bach, Jakob Lindberg is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
Bach, JS / Arr Yang: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air (Air on a G string) | Johann Sebastian Bach, Xuefei Yang | D Major | 0 | 10B | 79 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Music for a While (from Oedipus, Z. 583) | Henry Purcell, Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
4 Postludes for Piano & String Orchestra: No. 1. Larghetto - Andante | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | C Major | 0 | 8B | 95 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM |
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