François-Adrien Boieldieu, Pierre Stoll, Orchestre Raymond Saint-Paul, Choeur Raymond Saint-Paul, Jane Berbié, Aimé Doniat, Michel Sénéchal, Adrien Legros, Françoise Louvay, Pierre Heral, Genevieve Baudoz's 'La Dame blanche / Acte 1: Ah ! quel plaisir d’être soldat !' came out on January 1, 2004. With this song being about 5 minutes long, at 4:50, "La Dame blanche / Acte 1: Ah ! quel plaisir d’être soldat !" by François-Adrien Boieldieu, Pierre Stoll, Orchestre Raymond Saint-Paul, Choeur Raymond Saint-Paul, Jane Berbié, Aimé Doniat, Michel Sénéchal, Adrien Legros, Françoise Louvay, Pierre Heral, Genevieve Baudoz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 29 in Boieldieu: La dame blanche by François-Adrien Boieldieu, Pierre Stoll. Going off of the ISRC code of this track, we detected that the origin of this track is from France. La Dame blanche / Acte 1: Ah ! quel plaisir d’être soldat ! is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of La Dame blanche / Acte 1: Ah ! quel plaisir d’être soldat ! by François-Adrien Boieldieu, Pierre Stoll, Orchestre Raymond Saint-Paul, Choeur Raymond Saint-Paul, Jane Berbié, Aimé Doniat, Michel Sénéchal, Adrien Legros, Françoise Louvay, Pierre Heral, Genevieve Baudoz is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Concerto for Harp and Orchestra in C: 2. Andante lento | François-Adrien Boieldieu, Nicanor Zabaleta, Deutsches Symphonie-Orchester Berlin, Ernst Märzendorfer | C Major | 0 | 8B | 117 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 2 | 8B | 97 BPM |
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