- BPM
- 118
- Key
- E♭ Major
- Camelot
- 5B
7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation I - Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda Information
- Acousticness
- 98%
- Danceability
- 82%
- Energy
- 16%
- Instrumentalness
- 91%
- Liveness
- 10%
- Loudness
- 67%
- Speechiness
- 6%
- Valence
- 95%
- Popularity
- 0%
- Loudness
- -19.64 dB
Summary
On November 14, 2020, the song "7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation I" was released by Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda. With 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation I being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 21 out of 204 in Beethoven Legendary Recordings by Ludwig van Beethoven. In terms of popularity, 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation I is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation I BPM
The tempo marking of 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation I by Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46: Variation I Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | |
 | 13 Pieces, Op. 76: No. 2. Etude | Jean Sibelius, Olli Mustonen | G Major | 1 | 9B | 92 BPM | |
 | Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | |
 | 6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | |
 | Variations on a Theme of Chopin, Op. 22: Variation No. 16 Lento | Sergei Rachmaninoff, Daniil Trifonov | D♭ Major | 0 | 3B | 177 BPM | |
 | Waltz, D. 1/14, "Kupelwieser-Walzer" | Franz Schubert, Michael Endres | F♯ Major | 0 | 2B | 113 BPM | |
 | Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | |
 | Romance in F Major, Op. 50 | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | F Major | 1 | 7B | 114 BPM | |
 | String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7158784866333008
End: 0.7198772430419922