"Begli Occhi. Cantate, Ariette a Una, Due e Tre Voci Op. 3" by Barbara Strozzi, Dolce Rima was released on 2013. With this song being about 5 minutes long, at 4:44, "Begli Occhi. Cantate, Ariette a Una, Due e Tre Voci Op. 3" by Barbara Strozzi, Dolce Rima is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Saffo Novella. Dúos i àries de soprano i baix continu de Barbara Strozzi (1619-1677)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Spain. Begli Occhi. Cantate, Ariette a Una, Due e Tre Voci Op. 3 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Begli Occhi. Cantate, Ariette a Una, Due e Tre Voci Op. 3 by Barbara Strozzi, Dolce Rima having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Primo libro de' madrigali, Op. 1: Pietossisimo amore | Barbara Strozzi, La Venexiana, Claudio Cavina | F Major | 1 | 7B | 178 BPM | ||
Ostinato vo' seguire: Ostinato vo' seguire | Marchetto Cara, Marco Beasley, Guido Morini, Stefano Rocco, Franco Pavan, Fabio Accurso, Bruce Dickey | G Major | 2 | 9B | 107 BPM | ||
12 Sonatas, Opera XVI, Op. 16 No. 1 (Excerpts): II. Largo | Isabella Leonarda, Emanuele Breda, Barbara Mauch-Heinke, Daniela Wartenberg, Toshinori Ozaki, Sofya Gandilyan | A Minor | 2 | 8A | 127 BPM | ||
A Sonata of Scots Tunes: IV. Cromlit's Lilt (Largo) | James Oswald, La Rêveuse, Florence Bolton, Benjamin Perrot | B Major | 2 | 1B | 143 BPM | ||
Lauscht Ihr Liebenden - 2. Kapitel: Im Paradies der Venus: Venezianische Kurtisanen | Barbara Strozzi, Udo Wachtveitl, Wiebke Puls, Christoph Jablonka, Folkert Ducker, Thomas Albus, Jerzy May | G Major | 3 | 9B | 107 BPM | ||
Prima die Lectio prima: II. Aleph | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 0 | 11A | 135 BPM | ||
O Bone Jesu | ensemble tresonare | D Minor | 1 | 7A | 106 BPM | ||
Médée, H. 491: Ouverture | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | B♭ Major | 2 | 6B | 146 BPM | ||
All'imperio d'Amore: 2. O fortunato giorno a 30 "La Pellegrina" | Cristofano Malvezzi, Ensemble Pygmalion, Raphael Pichon | G Minor | 3 | 6A | 113 BPM | ||
Armide, LWV 71, Act V Scene 2: Passacaille | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F♯ Minor | 2 | 11A | 71 BPM |
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