Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 2. Adagio
Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop
Albinoni: Adagio & Concerti
2:57 January 1, 2000
BPM
76
Key
G Minor
Camelot
6A

Embed

Share Link

Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 2. Adagio - Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop Information

Acousticness
86%
Danceability
10%
Energy
14%
Instrumentalness
69%
Liveness
16%
Loudness
67%
Speechiness
4%
Valence
7%
Popularity
Loudness
-20.056 dB

Summary

"Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 2. Adagio" by Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop was released on January 1, 2000. The duration of Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 2. Adagio is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 2. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 25 in Albinoni: Adagio & Concerti by Tomaso Albinoni, Hans-Martin Linde, Hans Elhorst, David Reichenberg, Heinz Holliger, Eduard Kaufmann, Lucerne Festival Strings, Rudolf Baumgartner, The English Concert, Trevor Pinnock, Collegium Musicum Zürich, Paul Sacher, Camerata Bern, Alexander van Wijnkoop. Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 2. Adagio BPM

The tempo marking of Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 2. Adagio by Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 2. Adagio Key

This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) by Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock SolistenBist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo)Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock SolistenE♭ Major15B62 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo by Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella IstropolitanaConcerto Grosso In D Major, Op. 6, No. 1 : III. LargoArcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella IstropolitanaD Major110B78 BPM
Sinfonia for Strings in G major, RV 149: I. Allegro molto by Karoly BotvaySinfonia for Strings in G major, RV 149: I. Allegro moltoKaroly BotvayD Major210B125 BPM
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego FasolisGrande Messe des Morts: II. Introitus: Requiem aeternam - GraveFrancois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego FasolisC Minor15A74 BPM
Albinoni: Adagio in G Minor by Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the FieldsAlbinoni: Adagio in G MinorTomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the FieldsC Minor15A90 BPM
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo by Christoph Willibald Gluck, Yuja WangOrfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'OrfeoChristoph Willibald Gluck, Yuja WangD Minor07A70 BPM
Concerto for 2 Oboes in D Major, Op. 7, No. 8: I. Allegro by Tomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John GeorgiadisConcerto for 2 Oboes in D Major, Op. 7, No. 8: I. AllegroTomaso Albinoni, Anthony Camden, Alison Alty, London Virtuosi, John GeorgiadisD Major310B109 BPM
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax by Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher HogwoodNulla in mundo pax, RV 630: 1. Nulla in mundo paxAntonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher HogwoodE♭ Major15B99 BPM
Keyboard Concerto in G Major, Wq. 44: II. Andantino by Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigKeyboard Concerto in G Major, Wq. 44: II. AndantinoCarl Philipp Emanuel Bach, Michael Rische, Kammersymphonie LeipzigE Minor09A87 BPM
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 by Luc BeauséjourThe Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846Luc BeauséjourB Major31B78 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7920382022857666

End: 0.7988440990447998