Alessandra Rossi, Ursula Duetschler, Maurizio Comencini, Bruno Pratico, Maciej Rakowski, English Chamber Orchestra, Bruno De Simone, Francesco Facini, Valerio Baiano, Marcello Viotti made ""La Cambiale Di Matrimonio": Terzetto" available on January 1, 1991. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Bruno Praticò, Alessandra Rossi, Maurizio Comencini, Bruno de Simone, Francesco Facini, Valerio Baiano, English Chamber Orchestra, Maciej Rakowski, Ursula Duetschler & Marcello Viotti's "Gioacchino Rossini: La Cambiale Di Matrimonio" album is number 10 out of 18. "La Cambiale Di Matrimonio": Terzetto is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of "La Cambiale Di Matrimonio": Terzetto by Alessandra Rossi, Ursula Duetschler, Maurizio Comencini, Bruno Pratico, Maciej Rakowski, English Chamber Orchestra, Bruno De Simone, Francesco Facini, Valerio Baiano, Marcello Viotti to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": III. Bourrée. Die erwachende Thetis | Georg Philipp Telemann, The King's Consort, Robert King | B Major | 2 | 1B | 139 BPM | ||
Steffani: Niobe, regina di Tebe, Act 1: "Dell'alma stanca" (Anfione) | Agostino Steffani, Philippe Jaroussky, Stephen Stubbs, Boston Early Music Festival Orchestra | E♭ Major | 0 | 5B | 94 BPM | ||
Purcell: The Fairy Queen, Z. 629, Act IV: Song. "Thus the Ever Grateful Spring" | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman, Francine van der Heijden | B Minor | 0 | 10A | 78 BPM | ||
In tribulationibus, in angustiis: No. 2, Aria, "Ad montem venite" | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Monica Piccinini | A Major | 3 | 11B | 93 BPM | ||
La Cambiale di Matrimonio: III. Sestetto Finale | Gioachino Rossini, Bruno Pratico, Alessandra Rossi, Bruno De Simone, Maurizio Comencini, Francesco Facini, Marcello Viotti, English Chamber Orchestra | F Minor | 1 | 4A | 98 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Numi, barbari Numi!" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Dixit Dominus, RV 595: Virgam virtutis tuae: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | B Minor | 4 | 10A | 119 BPM | ||
Confitebor tibi Domine, ZWV 72: Redemptionem misit - After Psalm 110 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 0 | 1A | 108 BPM | ||
L'Olimpiade, Act I Scene 9: Duetto. "Ne’giorni tuoi felici" | Domenico Cimarosa, Maite Beaumont, Rocio Pérez, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
Violin Sonata in C Major, Op. 5 No. 3: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM |
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