"Fausto, Act III: Stretta. Che sussurro! Che spavento!" by Louise Bertin, Karina Gauvin, Diana Axentii, Nico Darmanin, Flemish Radio Choir, Les Talens Lyriques, Christophe Rousset was released on January 26, 2024. Fausto, Act III: Stretta. Che sussurro! Che spavento! is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The track order of this song in Louise Bertin, Les Talens Lyriques, Christophe Rousset, Flemish Radio Choir's "Louise Bertin: Fausto" album is number 7 out of 36. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Fausto, Act III: Stretta. Che sussurro! Che spavento! is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fausto, Act III: Stretta. Che sussurro! Che spavento! by Louise Bertin, Karina Gauvin, Diana Axentii, Nico Darmanin, Flemish Radio Choir, Les Talens Lyriques, Christophe Rousset to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor, Act II: Appressati, Lucia | Gaetano Donizetti, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 1 | 10B | 88 BPM | ||
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Il Pirata, Act I: Sì vincemmo | Vincenzo Bellini, Felice Romani, Franco Vassallo, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
La Traviata, Act III: Addio, del passato | Giuseppe Verdi, Lisette Oropesa, Daniel Oren, Dresdner Philharmonie | A Minor | 0 | 8A | 79 BPM | ||
E Lucevan Le Stelle (Tosca), 900861: Puccini: E Lucevan Le Stelle (Tosca) - E Lucevan Le Stelle (Tosca) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | F Minor | 3 | 4A | 121 BPM | ||
La forza del destino, Act II, Scene II: Son giunta! Grazie, o Dio! | Giuseppe Verdi, Dinara Alieva, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Major | 3 | 8B | 108 BPM | ||
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegretto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | G Major | 0 | 9B | 88 BPM | ||
In Windsor Forest: No. 3, Falstaff and the Fairies | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Rachel Ambrose Evans | G Major | 1 | 9B | 79 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
Don Giovanni, K.527, Act II: Recitativo accompagnato. "In quali eccessi, o Numi" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM |
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