"On the Waterfront Symphonic Suite: V. Allegro non troppo, molto marcato - Poco più sostenuto" by Leonard Bernstein, Israel Philharmonic Orchestra was released on January 1, 1985. With this song being about 5 minutes long, at 4:44, "On the Waterfront Symphonic Suite: V. Allegro non troppo, molto marcato - Poco più sostenuto" by Leonard Bernstein, Israel Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 33 in Bernstein: West Side Story by Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. On the Waterfront Symphonic Suite: V. Allegro non troppo, molto marcato - Poco più sostenuto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of On the Waterfront Symphonic Suite: V. Allegro non troppo, molto marcato - Poco più sostenuto by Leonard Bernstein, Israel Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 14 in C-Sharp Minor, Op. 131 - Version for String Orchestra by Dimitri Mitropoulos: 6. Adagio quasi un poco andante - attacca: - Live | Ludwig van Beethoven, Wiener Philharmoniker, Leonard Bernstein | A♭ Minor | 1 | 1A | 83 BPM | ||
Carmen Suite No. 2: Habanera. Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 125 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
The Firebird Suite (1919 Version): V. Infernal Dance of King Kashchei | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A Major | 4 | 11B | 164 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Pictures At An Exhibition: The Old Castle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 136 BPM | ||
Coppelia: Act I - Prelude | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 88 BPM | ||
4 Dance Episodes from Rodeo: I. Buckaroo Holiday | Aaron Copland, Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 129 BPM | ||
Symphony No. 1, "Afro-American": III. Humor (Animato) | William Grant Still, Fort Smith Symphony, John Jeter | A♭ Major | 2 | 4B | 127 BPM | ||
Pictures at an Exhibition: Promenade I | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | F Major | 1 | 7B | 78 BPM |
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